Bill Emrich - photographer

Published on 21 March 2021 at 11:42

Relatively little is actually known about Bill Emrich. Through the internet I was tipped off to his work and after some searching I managed to get hold of a second-hand Bill Emrich book. On the internet I searched further for information about him, but in relation to other photographers I found very little. From what I read he must have been a talented, dark, funny, very intelligent and generous man. With a life that ended far too soon, he added a rich story to the world of photography, especially with his images of men. Although he was a fashion photographer with work that became known and respected worldwide, it was his projects with men that made him so unique.

Bill Emrich was born in 1954 and died in 2006. He made a book which inspired me called :  Photographs of men

Hardcover : 64 pages
ISBN-10 : 3-925 443-17-7
ISBN-13 : 978-3925443176
Dimensions : 1.13 x 5 x 8.02 inches
Publisher : Janssen verlag, Berlin 1992
Language : Engels/ Duits

Bill Emrich's photographs can still be called iconic for the 1970s and give us a picture of a period when physical beauty and a certain rawness were celebrated. He shot his photos all over the world in different locations, but unfortunately he ended up publishing only 1 photo book.

What appeals to me about Bill Emrich's work is the innocence, vulnerability and beauty of boys.

On the life of Bill Emrich

On the website of The Chicago Tribune, I found an article dated February 25, 1987 that briefly talks about a moment in Bill Emrich's life.

"Take Bill Emrich, the man on our cover as he is today and was in 1977. Ten years ago Emrich was a regular customer and sometime performance artist at the Snake Pit, a club at Lincoln and Sheffield Avenues, ''before it was Buffy- and-Muffyville and when the area was a Spanish ghetto with muggings and shootings on the corners.''

Emrich said the Snake Pit, an artists` hangout, was the inspiration for New York`s punk Mudd Club. Emrich kept peroxide in the shampoo bottle, ''just so my hair would change colors every day'' and then he would go out every night.

''Everyone was living for the next five minutes,'' he said. ''At the Snake Pit we would put on weird music and do things like stab ourselves with knives in live psycho-dramas,'' he said. ''And we made video movies before video was the thing on quarter-inch cassettes, and we gave them titles like

`Elevators to Hell.` ''

But one day Emrich, who was also working as a photo stylist, woke up and said: ''I`m killing myself and I have to stop. I was tired of being hung over and making excuses for not getting things done, so I just said no to that and yes to life. I quit drinking, smoking and going to the bars. I started to do my own photography. I guess I just grew up.''

Emrich, now 33, is considered one of Chicago`s top fashion photographers, with the majority of his work being done for the city`s ''major conservative department stores.''

''I don`t miss the club scene at all, because now I have this,'' Emrich said, pointing toward the posh interior of the garden bar in the Ritz-Carlton. ''Now this is my one of my favorite places to come, but I never drink.''

Dropping out

The decision to quit drinking seems to be the pivotal point in most post- punkers` lives." - Quoted from The Chicago Tribune - 

 

Unfortunately, as with so many brilliant people, he eventually lost track in life and found himself mostly alone, eventually terribly ill and broke. He died poor and forgotten, as he had always feared. At the time of his death he had almost no possessions left as a result of the misfortunes, torments and disasters that befell him towards the end.

Yet Bill Emrich is not completely forgotten, thanks to his only book. In his work I find images of the innocence, vulnerability and beauty of men. Some of his images are overtly homoerotic and fit beautifully into that era. What further appeals to me in the nude photographs in the book is how subtly he handles having a cock in the frame. By using shadows or materials, they are present, but so subtle that it does not distract from the image.

 


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